Popular music is widely assumed to be different in kind from the serious music or art music that, until very recently, monopolized attention in philosophical discussions of music. In recent years, however, popular music has become an important topic for philosophers pursuing either of two projects. First, popular music receives attention from philosophers who see it as a test case for prevailing philosophies of music. Even now, most philosophy of music concentrates on the European classical repertoire. Therefore, if there are important differences between popular and art music, widening the discussion to include popular music might encourage us to reconsider the nature of music.
82 Questions to Ask about Art
Epistemologies of Material Culture - Bard Graduate Center
Poets often have responded vitally to the art of their time, and ever since Susan Stewart began writing about art in the early s, her work has resonated with practicing artists, curators, art historians, and art critics. Rooted in a broad and learned range of references, Stewart's fresh and independent essays bridge the fields of literature, aesthetics, and contemporary art. Gathering most of Stewart's writing on contemporary art? Stewart's essays are often the record of studio conversations with living artists and curators, and of the afterlife of those experiences in the solitude of her own study.
The Arts and Crafts Movement in America
Since the rise of appropriation in American art of the s, the strategy has become so commonplace as to evade continued examination as a unique vein of artistic practice. This three-part essay on the work of Karl Haendel, an LA-based artist best known for his arrangements of meticulously rendered drawings of found photographic imagery, connects three moments in his early career related to issues of artistic and cultural heritage and power. The first two episodes directly involve knights.
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